null faster and faster

$RAW, masterpiece , ultra detailed photograph , (8k, RAW photo:1.2) , best quality, ultra high res, photorealistic , sunlight , full body portrait, stunningly beautiful , ( leblanc $league of legends$ ), dynamic posing, wearing Thermal regulating clothing , ( bun head, twintails : 1.2 ) , ( flawless anatomy), , (detailed face), vibrant eyes , (view from_sides ) , She manipulated reality, masterful illusionist , at [ A frozen tundra ruled by fierce ice giants and filled with treacherous ice floes and blizzards : A network of wormholes used for faster-than-light travel : 0.75 ] , ( very detailed background, detailed face, detailed complex busy background : 0.8 ) , messy, ornate, Opalescent colors , ((high detailed skin, realistic skin details)), (visible pores : 0.3) , sharp focus, volumetric fog, 8k uhd, dslr, high quality, film grain, fair skin, photorealism, lomography , at ( A sprawling metropolis in a future dystopia ), view from below , translucency , (HDR:1.2)$

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A bawl in the dark, a clouding of breath, and suddenly you're face to face with a peculiar figure of embers and ash. Two barren eyes stare at you with a cold bitterness, and another bawl resonates from its cavernous mouth as it gains it bearings.
Spiky tendrils adorns its lank head, which itself is glowing faintly in the dark. Thick snot escapes the creature's twisting nostrils set within a stumpy nose.
Its lank head sits atop a hard, stringy body. Spikes cover its shoulders, seemingly like a reminder of some event in the past.
The creature steps closer to you, its two legs lumberingly carry its shadowy body with a calm energy.
Four cramped wings extend themselves fully. Glowing bones, and feathers of fire stretch upward preventing you from seeing anything other than this being. Unimpressed eyes still look at you, but only barely.
Their skin is very thick and very strong. It's covered in nothing but a few hairs on their heads.
Their skin colors are mostly blue, light grey and silver, which tend to become darker as they age.
The males are usually braver than their female counter part and their colors are more varied. The females, however, are usually faster.

A woman being held captive by a machine with long, metallic tentacle-like arms. The woman has a floral dress that hugs her curves, accentuating her feminine figure. Her hair cascades down her back, framing her face. The machine is relentless in its assault, spanking the woman's rounded bottom hard and fast with its powerful arms. The force of the spankings causes her dress to rise up, exposing her panties, which are a pale shade of blue. The machine takes hold of her panties and yanks them down, revealing her smooth, bare skin beneath. The woman's body is arched back in submission as she lets out muffled cries of pain and pleasure. The machine continues its punishment, its arms moving faster and faster, leaving bright red handprints across the woman's tender behind. The scene is set against a stark, industrial background, adding to the sense of helplessness and submission the woman feels in this surreal and intimate moment.

These aliens are a type of mammal. They have four arms and two legs, with a long, thick tail.
They have two eyes which sit buried in their sockets and can often make them appear to be untrustworthy. Their eyesight is perhaps the best of all species.
Their long mouths and wide noses often make these aliens appear to be slick, but looks can be deceiving.
Their ears are quite long and their hearing is amazing. They also have one long horn on their head.
Their skin is very thick and very strong. It's covered in nothing but a few hairs on their heads.
Their skin colors are mostly blue, light grey and silver, which tend to become darker as they age.
The males are usually braver than their female counter part and their colors are more varied. The females, however, are usually faster.

Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore,
While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door.
"'Tis some visitor," I muttered, "tapping at my chamber door-
Only this, and nothing more."
Ah, distinctly I remember it was in the bleak December,
And each separate dying ember wrought its ghost upon the floor.
Eagerly I wished the morrow;- vainly I had sought to borrow
From my books surcease of sorrow- sorrow for the lost Lenore-
For the rare and radiant maiden whom the angels name Lenore-
Nameless here for evermore.
And the silken, sad, uncertain rustling of each purple curtain
Thrilled me- filled me with fantastic terrors never felt before;
So that now, to still the beating of my heart, I stood repeating,
"'Tis some visitor entreating entrance at my chamber door-
Some late visitor entreating entrance at my chamber door;-
This it is, and nothing more."
Presently my soul grew stronger; hesitating then no longer,
"Sir," said I, "or Madam, truly your forgiveness I implore;
But the fact is I was napping, and so gently you came rapping,
And so faintly you came tapping, tapping at my chamber door,
That I scarce was sure I heard you"- here I opened wide the door;-
Darkness there, and nothing more.
Deep into that darkness peering, long I stood there wondering, fearing,
Doubting, dreaming dreams no mortal ever dared to dream before;
But the silence was unbroken, and the stillness gave no token,
And the only word there spoken was the whispered word, "Lenore?"
This I whispered, and an echo murmured back the word, "Lenore!"-
Merely this, and nothing more.
Back into the chamber turning, all my soul within me burning,
Soon again I heard a tapping somewhat louder than before.
"Surely," said I, "surely that is something at my window lattice:
Let me see, then, what thereat is, and this mystery explore-
Let my heart be still a moment and this mystery explore;-
'Tis the wind and nothing more!"
Open here I flung the shutter, when, with many a flirt and flutter,
In there stepped a stately Raven of the saintly days of yore;
Not the least obeisance made he; not a minute stopped or stayed he;
But, with mien of lord or lady, perched above my chamber door-
Perched upon a bust of Pallas just above my chamber door-
Perched, and sat, and nothing more.
Then this ebony bird beguiling my sad fancy into smiling,
By the grave and stern decorum of the countenance it wore.
"Though thy crest be shorn and shaven, thou," I said, "art sure no craven,
Ghastly grim and ancient Raven wandering from the Nightly shore-
Tell me what thy lordly name is on the Night's Plutonian shore!"
Quoth the Raven, "Nevermore."
Much I marvelled this ungainly fowl to hear discourse so plainly,
Though its answer little meaning- little relevancy bore;
For we cannot help agreeing that no living human being
Ever yet was blessed with seeing bird above his chamber door-
Bird or beast upon the sculptured bust above his chamber door,
With such name as "Nevermore."
But the Raven, sitting lonely on the placid bust, spoke only
That one word, as if his soul in that one word he did outpour.
Nothing further then he uttered- not a feather then he fluttered-
Till I scarcely more than muttered, "Other friends have flown before-
On the morrow he will leave me, as my hopes have flown before."
Then the bird said, "Nevermore."
Startled at the stillness broken by reply so aptly spoken,
"Doubtless," said I, "what it utters is its only stock and store,
Caught from some unhappy master whom unmerciful Disaster
Followed fast and followed faster till his songs one burden bore-
Till the dirges of his Hope that melancholy burden bore
Of 'Never- nevermore'."
But the Raven still beguiling all my fancy into smiling,
Straight I wheeled a cushioned seat in front of bird, and bust and door;
Then upon the velvet sinking, I betook myself to linking
Fancy unto fancy, thinking what this ominous bird of yore-
What this grim, ungainly, ghastly, gaunt and ominous bird of yore
Meant in croaking "Nevermore."
This I sat engaged in guessing, but no syllable expressing
To the fowl whose fiery eyes now burned into my bosom's core;
This and more I sat divining, with my head at ease reclining
On the cushion's velvet lining that the lamp-light gloated o'er,
But whose velvet violet lining with the lamp-light gloating o'er,
She shall press, ah, nevermore!
Then methought the air grew denser, perfumed from an unseen censer
Swung by Seraphim whose footfalls tinkled on the tufted floor.
"Wretch," I cried, "thy God hath lent thee- by these angels he hath sent thee
Respite- respite and nepenthe, from thy memories of Lenore!
Quaff, oh quaff this kind nepenthe and forget this lost Lenore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil! - prophet still, if bird or devil! -
Whether Tempter sent, or whether tempest tossed thee here ashore,
Desolate yet all undaunted, on this desert land enchanted-
On this home by Horror haunted- tell me truly, I implore-
Is there- is there balm in Gilead?- tell me- tell me, I implore!"
Quoth the Raven, "Nevermore."
"Prophet!" said I, "thing of evil! - prophet still, if bird or devil!
By that Heaven that bends above us- by that God we both adore-
Tell this soul with sorrow laden if, within the distant Aidenn,
It shall clasp a sainted maiden whom the angels name Lenore-
Clasp a rare and radiant maiden whom the angels name Lenore."
Quoth the Raven, "Nevermore."
"Be that word our sign in parting, bird or fiend," I shrieked, upstarting-
"Get thee back into the tempest and the Night's Plutonian shore!
Leave no black plume as a token of that lie thy soul hath spoken!
Leave my loneliness unbroken!- quit the bust above my door!
Take thy beak from out my heart, and take thy form from off my door!"
Quoth the Raven, "Nevermore."
And the Raven, never flitting, still is sitting, still is sitting
On the pallid bust of Pallas just above my chamber door;
And his eyes have all the seeming of a demon's that is dreaming,
And the lamp-light o'er him streaming throws his shadow on the floor;
And my soul from out that shadow that lies floating on the floor
Shall be lifted- nevermore!

impressionistic bidimensional Daredevil (large letter D on chest and long legs:1.1) watercolor (klimt:0.8) dadaistic collage (by Bill Sienkiewicz:1.5) jumps faster than light (leaving a trail of red ink: 1.1) falls on (new York skyscrapers cutup)

image of a breathtaking space scene, what it would be like for a passenger on a spaceship to travel faster than the speed of light into a blackhole.

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