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an entity of immeasurable will, disguised to blend into the crowd, just another one of the human servants, yet concealing a level of power that could defeat the oppressors, a one-man army, a usurper, able to withstand the wrath of gods, essentially unkillable . "at five o'clock, they'll take me to the gallows pole, the sands of time, for me, are running low..."

cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, Gilgamesh returneth, Prestuplenie i nakazanie, breathtaking scope and scale, centuries into the future, channelling the spirit of gustav eiffel, aerial view,

cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view,

dr. ashleigh reid, or Ash: as you exit the phase tear, you hear a gruff voice directed elsewhere saying "...that depends on how useful you are to us.", your surrounding are unfamiliar, plaza or public square in a technofuturstic city, reminds you of something conjured up from the vague notion of '80s cyberpunk, smog makes the day seem like night, a gloom interrupted only by the neon glow of shop signs, garrish display fronts advertising technology you hardly recognize, dirty rain falls with a disconcerting warmth, a gang is accosting a young lady, you set your phaser to kill and hear your simulcral voice yell, "hey cyber-psychos, how about you leave her alone."

a burlesque dancer's dressing room within a crystal cavern; the cavern wall is dark onyx or obsidian, a pair frosted-glass marble sconces on the walls, on either side of the dressing room's vanity mirror. dark,

score_9, score_8, score_7_up, (ultra-detailed, hyperrealistic, scifi, cinematic concept art, high resolution), a central gathering area, inside, sovietpunk space settlement, impressive verticality, imagination-capturing details, hints of danger and mystery,

the subject in simulation has become aware of the conditions of their existence, panic in the control room suggests that the subject has gone off the grid, a ghost in the machine, a reality hacker

excitations in the gap between the third and fourth spatial dimensions occurring along the 'w' axis, preceding the unprecedented automation of thought, a necessary bifurcation of events, after reneging on universal promises, (koyaanisqatsi angle), planescape torment, a soul stained by sin, diethyl ether administered as treatment,

cinematic concept-art, ultra-detailed, designed by Luis Barragan, scifi, 'Zima Blue', horizontal skyscrapers, megastructure, death riding on a pale horse, the shimmer, neo-visigoths, starculture, fictional planet, breathtaking scope and scale, centuries into the future, channelling the spirit of Gustav Eiffel, aerial view, polished, linear light,

((multiple views)), exquisite high fashion photography, showcasing a tech-noir, scifi fashion concept, segmented 'smart'-tech cloak, in various weather conditions ((multiple views)), demonstrating its automatic self-adjusting retractable capability. The cloak adapts to the environment, resizing itself without any loss of comfort or extra fabric: on a hot sunny summer's day, it appears shorter in length, while on a cold winter morning, it extends to provide warmth, and in the rain, a retractable hood. The material, composed of a hypothetical hyper-carbon lattice, features a highly reflective, graphite color and hydrophobic properties, making it feel almost slippery to the touch. The photographs highlight the cloak's versatility, showcasing its ability to automatically reorganize its structure to the wearer's needs, manipulating principles of topological quantum field theory, to compress its structural properties in accordance with whatever weather conditions are in effect.

$"We sailed through the fog for an incalculable amount of time, for day and night were practically indistinguishable. When visibility began to finally improve, we found that we had emerged into a fjord-like network of waterways, that flowed between the ruins of a once great civilization. The ruins were not so far decayed as to diminish the scale of their grandeur, entire cities with bas relief detailing, formed by tunneling into mountainsides of the fjords, showcasing advancements in masonry that we could barely fathom. Though seemingly deserted, the place gave off the eerie feeling that we were constantly being watched, and once or twice I swear I saw a flicker of movement in my peripheral vision, as we sailed past the recessed archways that marked the ruins’ many moss-covered entrances.\" a scene inspired by the ruins of ancient valyria from game of thrones, as well as the landscapes present in the film kong skull island. additionally inspired by the emerald dream dimension of the chaos god yogg saron.$

(ultra-detailed, scifi-fantasy, concept-art photoillustration). In the years before Rapture's citizens grew corrupted by madness, Bioshock's city at the bottom of the sea was a veritable utopia —a place unlike any other. Capture a wide-angle view, featuring a beautiful woman in a red dress, playing the piano for the lounge guests of Ratpure's Kashmir Restaurant. A Big Daddy mech ominously swims past the window in the background, foreshadowing the eventual fate of the city. cinematography inspired by select films such as "Inception", and "Underwater (2020)", and additionally by the "Bioshock" video game series. Cinematic Lighting

centuries into the future, an imaginative fantastic scifi manufacturing facility for spacecrafts, a bright, cloudscape, clean lines, flat colors, implied height, whimsical,

inkpunk, disco elysium, from above, (isometric view:0.9), resident evil village, cyberpunk collab, hypothetical dlc concept artwork, by aleksander roskov, josean figueroa, robert valley, and using an interwoven composition to foreshadow the plot, inferred based off of the following dlc description; "return to elysium, where revaschol is plunged into chaos, as a growing number of vampires are terrorizing the populace. In the neighbourhood of martinaise, many of the businesses have shuttered their doors, while the whirling-In-rags has hired security contractors to avoid having to do the same. our protagonist is Andrea Lafontaine, a resourceful detective from the harbourfront precinct 57, on assignment in martinaise to investigate a rapidly increasing number of missing persons cases in connection with the vampire epidemic. Andrea has interviewed many of the locals to little success. some speculate that the first vampires came out of the pale, but nobody really knows for sure. if one thing is certain, it's that somebody had better do something soon, or there might not 𝘣𝘦 anyone left.",vibrant painting

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