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    A painting of whsororitas, adepta sororitas, enveloped by the shadows of an eerie, waterlogged trench, as twisted figures emerge from the darkness, embodying the haunting nature of war; Verdun, Ypres, World War 1; in the style of (Beksinski:1. 3), Giger, Escher, dry brush, oil on canvas, dark fantasy art, vivid contrasts, vibrant colors <lora:WH40KSisters_V2rank8:0. 5>, <lora:whsororitas_v4:0. 5>, dry brush, (symmetric eyes)

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    b&w, black and white, monochrome, deformed face, (asymmetric eyes)

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    "A desolate battlefield where an enormous, twisted war machine dominates the landscape, symbolizing the relentless, dehumanizing force of conflict. The machine is composed of distorted metal and gears, fused with the skeletal remains of soldiers, their forms partially emerging from the structure, representing the lives consumed by war. In the distance, trenches filled with ghostly figures stretch towards a horizon obscured by thick, swirling fog. Above, the sky is a chaotic mass of dark clouds, pierced by beams of cold, lifeless light. The painting should evoke the style of Beksiński, blending a nightmarish, surreal atmosphere with classical, symbolic imagery."
    A colossal, decaying structure looms over a battlefield, its form a twisted amalgamation of ancient ruins and war machines. The structure’s walls are adorned with the faces of soldiers, their expressions frozen in silent screams. Below, the ground is scorched and barren, with rivers of blood flowing through the cracks. The sky above is a swirling vortex of dark clouds, with faint, eerie light illuminating the scene. The style combines the monumental scale of Beksiński with the intricate, otherworldly detail of Giger, creating a surreal, symbolic representation of the devastation of war.
    A haunting scene where the skeletal remains of a giant, mechanical beast lie sprawled across a battlefield, its body broken and covered in the ashes of war. The machine’s empty eyes stare blankly at the sky, while the ground around it is littered with the bones of soldiers who fought and died in its shadow. The scene is bathed in a cold, blue light, with tendrils of smoke rising from the earth like ghostly hands. The style echoes Giger’s nightmarish, industrial aesthetic, merging the devastation of war with the surreal imagery of a forgotten mechanical god.
    A battlefield where the ground is uneven and cracked, with deep fissures running across the landscape like wounds. The trenches are chaotic, their paths twisting and turning unpredictably as they disappear into the darkness. Above, a massive, leaning tower of rusted metal and bone rises out of the earth, its structure so unstable that it seems ready to collapse at any moment. The tower’s surface is covered in strange, organic growths that pulse faintly with a sickly, green light. The sky is filled with dark, swirling clouds that seem to twist and writhe, adding to the sense of impending doom. The overall composition is unbalanced, with elements placed in such a way as to create a feeling of creeping dread and unease.
    A decaying war machine stands in the middle of a deserted battlefield, its rusted gears and twisted metal parts overgrown with vines and thorns. Soldiers' helmets and weapons lie scattered around its base, half-buried in the mud. The machine, once a symbol of technological might, is now a relic, slowly being reclaimed by nature. The sky is a swirling mix of dark clouds and sickly green light, creating a stark juxtaposition between the remnants of war and the slow return of life. The painting style is influenced by Zawadzki's organic surrealism, merging the natural and the mechanical in a haunting reflection on the passage of time.
    A surreal landscape where the remains of war machines lie scattered like fallen giants, their bodies covered in rust and overgrowth. The sky is filled with strange, organic shapes that twist and writhe like living creatures, casting long, twisted shadows over the battlefield. Soldiers' spirits rise from the ground, their forms translucent and ghostly, as they ascend towards the sky. The style is a fusion of Beksiński’s haunting surrealism with Giger’s biomechanical horror, creating a powerful juxtaposition between the organic and the mechanical, life and death.
    an endless trench that winds through a barren, desolate landscape, its walls lined with the decaying remnants of soldiers who have become one with the earth. The trench symbolizes the endless cycle of suffering and despair that war brings, with ghostly apparitions of soldiers eternally marching within its confines, their faces expressionless and hollow. Above, the sky is a tumultuous swirl of dark, foreboding clouds, with occasional flashes of eerie light illuminating the scene. The style is reminiscent of Beksiński, with a focus on the surreal and the symbolic, creating a haunting juxtaposition between the stark reality of war and the dreamlike quality of the landscape
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