ExCivitan
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    DuoLingo! Photorealistic creepy, intimidating very bright vibrant lime green giant green owl, leaning toward the viewer. Photorealistic terrifying, frightening giant very bright lime green owl which leaning to the viewer. The giant owl who is extremely vivid bright lime green and mencing is leaning towards the viewer. Duolingo is in a frightening horror scene! : Breathtaking cinematic photo, frightening and dramatic photograph, terrifying Getty Images, disturbing experimental view lit from the ground, experimental angles, in the style of William Peter Blatey!

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    (, poster style, art, painting), (worst quality, bad quality, low quality, medium quality, average quality, good quality) (unfinished, incomplete, damaged, speckled), (Painted, Illustrated, cartoon, Illustration, pencil crayon, oil, Drawing, airbrush, Airbrushed, CGI look, Claymation, Animated, Anime), (poorly rendered, rendering flaws), (bad anatomy, inaccurate anatomy), undetailed, out of frame, (missing face, Obscured face, Distorted face, Blurred face, blurry), (Close-up, Near, Nearby, Portrait, Headshot, Bust, Close to subject), (splitscreen, multiple screens, collage), ignored prompts, (swimsuit, bathing suit, swimwear, onesie, lingerie), (incomplete, corrupted image, blurred, censored), bad hands, east asian, (huge breasts, large breasts, big breasts, medium breasts), milkyway, hall, beard

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    ((farthest from viewer: a rural community church is seen in the background)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), ]
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    Photograph of ((3 being) ((1st a radiant, ethereal almost entirely made of light, an otherworldly glow), (in a seamless, flowing robe of white light, which shimmers and changes colors with movement, creating an iridescent effect), (the face is serene and androgynous, features are soft yet defined, the eyes are large and luminous), (surrounding it is a halo of soft, golden light that extends outward, blending into the surroundings)), ((2nd is made of both light and energy), (with a clearly defined body), ( wearing more elaborate, intricate patterns of light woven into fabric, resembling a celestial armor, the colors are primarily blue and silver), (face is sharper, with high cheekbones, the eyes are penetrating), (it is surrounded by a vibrant, pulsating blue aura), ((3rd Form, the most complex and multifaceted, with constantly shifts and changes, blending elements of light, shadow, and energy), (wearing a mix of dark and light, with intricate, fractal-like patterns that shift and move, deep purples and blacks to shimmering golds and whites), (the face is ambiguous, with features that change depending on the angle and light, the eyes are deep and dark), (it has an aura that fluctuates between darkness and light, creating a mesmerizing, kaleidoscopic effect), (the aura extends and contracts, reflecting the form's fluid and transformative nature), [low wide angle photograph using a 50mm lens, f/1.8, slow shutter speed, high iso]
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal horrifying shadow spectre) (is hovering, levitating, flying high) (menacingly , terrifyingly, up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    ((In the abyss of the Underdark's embrace, Where shadows dance in eternal grace, Lies a city of darkness, sprawling wide, Where the sun's warm touch can never abide. Towering spires of obsidian rise, Piercing the blackened, starless skies, Their jagged edges cutting the night, A testament to the drow's might. Beneath them, streets wind and twist, A labyrinth where secrets persist, Carved from the very stone below, In patterns only the drow know. Glowing crystals, a haunting hue, Cast their eerie light, a spectral view, Revealing arches and columns grand, In a city built by drow hand. But shadows lurk in every nook, In alleys where whispered secrets took, And in the depths of cavernous halls, Where treachery waits for those who fall. Yet amid the darkness, beauty lies, In murals that tell of ancient skies, And in the delicate webs that adorn, The silent streets where shadows mourn. For this is a city of darkness and light, Where the drow dance in the depths of night, A testament to their craft and guile, In a world where shadows always smile.)), ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (low upward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    [Very high angled aerial photograph], ((a vast Yautja city is seen (at a slight crooked angle) sprawling below)), ((nestled within a dense, alien jungle the Yautja city’s architecture is deco, it blends organic and sophisticated technological elements) (dark, metallic towers rise above the canopy, each adorned with intricate, glowing glyphs in green and blue hues), (the structures are interconnected by a web of narrow, elevated pathways and bridges, giving the city a lattice-like appearance), (beneath the towers, is a network of many (angular terraced pyramid-like buildings , their surfaces etched with ancient symbols and carvings that catch the light, giving them an eerie glow), (some smaller, domed structures and an alien spaceport show us glimpses of Yautja predator technology and culture within), (the city’s outskirts fade into the dense jungle, with camouflaged watchtowers and defensive outposts strategically positioned), (rivers of molten metal flow through the city, providing both illumination and a sense of foreboding), (the atmosphere is thick with mist), (the city is in a perpetual twilight, while distant, roaring waterfalls and alien wildlife add to the city’s primal, yet advanced ambiance) , [alien militaristic-hunter themed, 32k photograph, uhd,] realisticvision-negative-embedding, epiCNegative
    photograph, Violentscale Only ((violent scale: Only uses burgundies, maroon, (crimson), black, browns, and greys)) , (macabre surrealism), ((bypassing rationality)), (ghastly after image), (double exposures), (frightening echo image), ((echo image)), (gothic cinematic surrealism), sidelit, (masterpiece from an evil dimension), (pure depraved evil crawls toward the viewer), film grain, noise offset, Getty Images quality photograph, (surrealist horror photograph), [themes of melancholy, terror, and regret] , (multiple-exposure photograph), UHD, (very slow shutter speed to capture motion blur), experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, epiCRealism
    full-length photograph of ((A distant disembodied skull/ huge skull only the skull unsupported ((with typical circus-clown makeup), (the skull's face is painted like a circus clown), the neckless and bodiless skull has a red smile painted around the mouth and blue painted around the eyes), fuzzy hair, and terrifying piercing eyes)), its (long snakelike tongue) flails in the wind, the bodiless/ neckless/ disembodied clownskull painted like a circus clown, is seen far in the distance, flying through space floating in the cosmos Macabre surrealist photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
    In the shadowy village where darkness reigns, Houses loom tall, with eerie remains. Gothic facades, with windows aglow, Whispers of phantoms, in the eerie glow. Each house tells a tale of terror and woe, With creaking floors, and ghosts that flow. But amidst the horror, one house stands plain, A normal facade, devoid of strain. Its windows shuttered, its doors closed tight, But within its walls, a chilling sight. For behind closed doors, a darkness dwells, A horror unseen, in the depths it compels. While ghosts haunt the streets, with mournful cries, The true terror lurks, behind human eyes. For in the house that seems so mundane, Lies the heart of darkness, a soul in pain. So beware the normal, in a village of fear, For the true horror lies, where the humans leer. In a world of ghosts, it's the humans who scare, In the house that seems, like it doesn't care. gritty , cinematic, unexpected psychological twist, surrealist, echo image, sidelit, cinematic photograph, noise offset, <lora:add-detail-xl:1> , Getty Images quality photograph , double exposure, multiple-exposure photograph, UHD, experimental lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, intricately detailed, very detailed background, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    perfect angled arial (arial: top down, seen from above), downward looking photograph, vast expansive (vast: all ecompassing, immense. expansive: very wide, long seeing), photograph (([downstage] a pillars of fire are seen), ([centrestage] molton lava is seen below streaming in a circular labrynth), (a draconian fire goddess is also seen weaponsmithing swords and battleaxes), (coyotes and firebird-phoenixes roam the landscape) ([upstage] a volcano is seen)) realisticvision-negative-embedding, epiCRealism
    detailed personification of directionless-existential-drift, very detailed background
    ((farthest from viewer: a rural community church is seen in the background away from the wooden "Rapture" sign that is seen)), ((between viewer and the church: many terrified people are seen), (some of the terrified people are seen being slowly disintegrated by beams of blue laser from the sky) (/ beams of blue laser coming from the sky are seen disintegrating or particalising only some of the terrified people)), ((closest to viewer: a wooden sign is seen with the word "Rapture!" printed legibly across the front) (the viewer can easily see and read the text "Rapture!" on the front of the wooden sign, "Rapture" is printed in Creepster font) , [ (double negatives) (/ low opacity overlays)), (1950's supernatural horror), (1950's style, 35mm film still), (colourized with Technicolor) (( full-length) (/full body) photograph)), (smokey dystoptian theme), (extremely detailed), (very detailed background), ( realisticvision-negative-embedding ), (adhere to prompt)]
    Perfect photograph of a desolate cemetery, fog, tombstones looming like silent sentinels in the blood red-moonlight, graves splitting open, spectral figures rise, their ethereal forms twisted in agony, mouths gaping in silent screams. Wisps of darkness coil around them, whispering ancient curses, a blood-red moon, macabre dance of evil, every shadow conceals unseen horrors, from the depths of nightmares, the air thrums with malevolent energy, in the night, double exposure, evil echo image, reflection, sidelit, noise offset, <lora:add-detail-xl:1> candid photography, Getty Images quality photograph, disturbing multiple-exposure photograph, UHD, very slow shutter speed to capture motion, experimental coloured lighting, experimental angles, strong fisheye-lens/ intense fisheye-view photograph, realisticvision-negative-embedding, realisticvision-negative-embedding, epiCRealism
    Photograph of ((Gary Coleman) (in the role of) (Gandalf)) ((very strong fisheye-lens photograph / (intense fisheye-view photograph)), (high downward looking angle), intricately detailed, very detailed background, Experimental lighting, realisticvision-negative-embedding, epiCRealism ))
    ((raked out Warbike), (extra high handlebars), (seen with extremely powerful armour), ((heavily armed with a variety of weapons all seen (high calibre gatlingguns are seen attached to the raked out Warbike), (small missilelaunchers are seen on the raked out Warbike ), (huge bladed weapons attached to the raked out Warbike are visible), <<BREAK>> ((terrifying demoness is riding the ((raked out, highhandlebarred, heavily armoured, heavily armed (with mounted gatlingguns, missile launchers and blades)) (nighttime, storm) [ realisticvision-negative-embedding , 8k, uhd , photograph, Kodak Motion Picture Film Style ]
    A captivating paranormal photograph, ((oddly tilted fisheyelens/ fisheye view photograph) that showcases intense dynamic composition of a (partiallyvaporous terrifying vampire that is part of the shadows) (emerging in a dark bedroom at night), (floating above) (an innocent, adorable, victim), ((high angle photograph, highly dramatic cinematic atmosphere)), ((the very detailed background is imposing, with angular intimidating, artdeco style architectural designs)), the (terrifying shadow vampire looming over its adorable victim is part of dark and smokey shadows at nighttime in the (girly bedroom of the victim)), cinematic spiritual horror, dynamic, , ((double exposures)), very detailed background, ominous ethereal background, epiCRealism, epiCNegative, Photographer Martin Kimbell Style, ral-dissolve
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    Photograph of, ((a witch sitting in a glyph marked circle) (summoning dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre)) <<BREAK>> ((the dark ghastly evil demonic and transparent/ transluscent ethereal shadow spectre) (is hovering, levitating, flying high) (menacingly up in the air high up above witch) , BREAK ((inside a (dimly lit) smokey room)), <<BREAK>> [32k, UHD, highest-quality, intricate details, highly detailed background, (rule of thirds), (golden ratio), (perfect details), (double exposures), (low opacity overlays), detailed textures, full-length photograph, full body cinematic, atmospheric lighting, visually stunning, perfect composition, (low-angled lighting/ underlighting/ upward projected lighting) , epiCNegative, Photographer Martin Kimbell Style
    Photograph of ((3 being) ((1st a radiant, ethereal almost entirely made of light, an otherworldly glow), (in a seamless, flowing robe of white light, which shimmers and changes colors with movement, creating an iridescent effect), (the face is serene and androgynous, features are soft yet defined, the eyes are large and luminous), (surrounding it is a halo of soft, golden light that extends outward, blending into the surroundings)), ((2nd is made of both light and energy), (with a clearly defined body), ( wearing more elaborate, intricate patterns of light woven into fabric, resembling a celestial armor, the colors are primarily blue and silver), (face is sharper, with high cheekbones, the eyes are penetrating), (it is surrounded by a vibrant, pulsating blue aura), ((3rd Form, the most complex and multifaceted, with constantly shifts and changes, blending elements of light, shadow, and energy), (wearing a mix of dark and light, with intricate, fractal-like patterns that shift and move, deep purples and blacks to shimmering golds and whites), (the face is ambiguous, with features that change depending on the angle and light, the eyes are deep and dark), (it has an aura that fluctuates between darkness and light, creating a mesmerizing, kaleidoscopic effect), (the aura extends and contracts, reflecting the form's fluid and transformative nature), [low wide angle photograph using a 50mm lens, f/1.8, slow shutter speed, high iso]
    full-length photograph of ((a seagull wearing a red cap with the word "MAGA" very clearly seen printed across the front), (the seagull wearing the red cap is (standing in mud) and (eating french-fries), Perfect photograph, strong fisheye-lens photograph (intense fisheye-view photograph), strong bokeh, cinematic photograph, experimental angles, experimental lighting, intricately detailed, very detailed background, realisticvision-negative-embedding, epiCRealism
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