null static image

    Using deformer extention, 2D static image zoom cadance of 2 and 130 frames with changing prompt: { "0": "kkw-h-bb, woman with glasses, ponytail in black hair, wearing gray tank top, necklace, plant, Style-DoF", "10": "kkw-b-bb, woman with glasses, ponytail in brown hair, wearing (blue t-shirt), necklace, plant, Style-DoF", "50": "kkw-m-bb, woman with glasses, ponytail in red hair, wearing (green top), necklace, plant, Style-DoF", "90": "kkw-s-bb, woman with glasses, ponytail in blonde hair, wearing (red dress), necklace, plant, Style-DoF" } Denoising schedule: With denoising strenght schedule: 0: (0.50), 9: (0.50), 10: (0.60), 30: (0.50), 49: (0.50), 50: (0.60), 70: (0.50), 89: (0.50), 90: (0.60), 110: (0.50), 130: (0.50)
    masterpiece,4k,professional photo,highly detailed,detailed background,static background,still image,nsfw,perfect body,perfect legs,perfect hands, theme: (a boy and a gorgeous naked lady in the back seat of a luxurious car having sex), young,fresh,beautiful,supermodel, so cute, bob hair, window, leather seats, petite, erected nipples,black short hair,shaved pussy, smiling, moving up and down,((pov sex)),vaginal penetration,((penis inserted in vagina)),from below,girl riding on a man,penis from below,only penis in frame
    glitched photo of a african black skin model, pixelated fragmented features,data corruption artifacts creating waves of misplaced colors across her form. Her body appears to split into overlapping duplicates with rgb color separation. She wears a simple black dress that glitches into geometric patters. Standing against a dark background with random blocks of static and digital noise, squares of corrupted image data float around her. Harsh digital artifacts create sharp angular shapes that cut through the composition.
    A glitched image of the castle Pandora reigning over hell, super imposed upon a picture of an old train station in a rainstorm. Film grain. Anolog Static. Hyper double exposure. Natural and digital interference. floor view. Analog asthetic. Familiar yet confusing. An exploration of dream logic.
    Design a captivating and thought-provoking book cover for Don DeLillo's "White Noise" that captures the essence of the novel's exploration of media, technology, and existential uncertainty. Consider incorporating the following elements: 1. **Color Scheme**: Use a mix of contrasting colors like deep blacks, stark whites, and muted metallics with pops of neon (e.g., electric blue, neon green) to create a visually striking cover. 2. **Imagery**: - Incorporate a chaotic collage of media elements such as TV screens, radio waves, and digital glitches to symbolize the overwhelming presence of media in modern life. - Include a fragmented image of a family or silhouettes to represent the novel's exploration of domestic life and identity. - Add subtle elements of a supermarket setting, with shelves or aisles blending into the background to emphasize consumerism. 3. **Atmosphere**: Aim for a slightly surreal and unsettling atmosphere. The cover should evoke a sense of disorientation and the pervasive anxiety that runs through the novel. 4. **Typography**: Use bold, sans-serif fonts for the title and author's name. The title "White Noise" should be prominent and possibly have a glitch or static effect, while "Don DeLillo" should be smaller but clearly legible. 5. **Additional Elements**: - Consider incorporating layers or transparency effects to give a sense of depth and complexity. - Use subtle textures or patterns to enhance the feeling of digital interference or noise. The overall design should reflect the fragmented and multifaceted nature of the novel, highlighting its themes of media saturation, consumer culture, and existential dread.
    (close up shot) A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film.
    Design a captivating and thought-provoking book cover for Don DeLillo's "White Noise" that captures the essence of the novel's exploration of media, technology, and existential uncertainty. Consider incorporating the following elements: 1. **Color Scheme**: Use a mix of contrasting colors like deep blacks, stark whites, and muted metallics with pops of neon (e.g., electric blue, neon green) to create a visually striking cover. 2. **Imagery**: - Incorporate a chaotic collage of media elements such as TV screens, radio waves, and digital glitches to symbolize the overwhelming presence of media in modern life. - Include a fragmented image of a family or silhouettes to represent the novel's exploration of domestic life and identity. - Add subtle elements of a supermarket setting, with shelves or aisles blending into the background to emphasize consumerism. 3. **Atmosphere**: Aim for a slightly surreal and unsettling atmosphere. The cover should evoke a sense of disorientation and the pervasive anxiety that runs through the novel. 4. **Typography**: Use bold, sans-serif fonts for the title and author's name. The title "White Noise" should be prominent and possibly have a glitch or static effect, while "Don DeLillo" should be smaller but clearly legible. 5. **Additional Elements**: - Consider incorporating layers or transparency effects to give a sense of depth and complexity. - Use subtle textures or patterns to enhance the feeling of digital interference or noise. The overall design should reflect the fragmented and multifaceted nature of the novel, highlighting its themes of media saturation, consumer culture, and existential dread.
    Design a captivating and thought-provoking book cover for Don DeLillo's "White Noise" that captures the essence of the novel's exploration of media, technology, and existential uncertainty. Consider incorporating the following elements: 1. **Color Scheme**: Use a mix of contrasting colors like deep blacks, stark whites, and muted metallics with pops of neon (e.g., electric blue, neon green) to create a visually striking cover. 2. **Imagery**: - Incorporate a chaotic collage of media elements such as TV screens, radio waves, and digital glitches to symbolize the overwhelming presence of media in modern life. - Include a fragmented image of a family or silhouettes to represent the novel's exploration of domestic life and identity. - Add subtle elements of a supermarket setting, with shelves or aisles blending into the background to emphasize consumerism. 3. **Atmosphere**: Aim for a slightly surreal and unsettling atmosphere. The cover should evoke a sense of disorientation and the pervasive anxiety that runs through the novel. 4. **Typography**: Use bold, sans-serif fonts for the title and author's name. The title "White Noise" should be prominent and possibly have a glitch or static effect, while "Don DeLillo" should be smaller but clearly legible. 5. **Additional Elements**: - Consider incorporating layers or transparency effects to give a sense of depth and complexity. - Use subtle textures or patterns to enhance the feeling of digital interference or noise. The overall design should reflect the fragmented and multifaceted nature of the novel, highlighting its themes of media saturation, consumer culture, and existential dread.
    A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film. studio room with graffiti wall on the side, cluttered space, (neon_pop style art:1.2, cinematic lighting:1.2), green, blue, (astraaligraffiti, graffiti wall:1.2), <lora:add_detail:0.6> , monitor stack, <lora:Monitors:1.3>
    A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film. studio room with graffiti wall on the side, cluttered space, (neon_pop style art:1.2, cinematic lighting:1.2), green, blue, (astraaligraffiti, graffiti wall:1.2), <lora:add_detail:0.6> , monitor stack, <lora:Monitors:1.3>

      DreamShaper XL

    • v2.1 Turbo DPM++ SDE - dreamshaperXL_v21TurboDPMSDE.safetensors
    • Lightning DPM++ SDE - dreamshaperXL_lightningDPMSDE.safetensors
    • SFW v2 Turbo DPM++ SDE - dreamshaperXL_sfwV2TurboDPMSDE.safetensors
    • SFW Lightning DPM++ SDE - dreamshaperXL_sfwLightningDPMSDE.safetensors
    • v2 Turbo DPM++ SDE - dreamshaperXL_v2TurboDPMSDE.safetensors
    • Turbo DPM++ SDE - dreamshaperXL_turboDPMSDE.safetensors
    • SFW Turbo DPM++ SDE - dreamshaperXL_sfwTurboDPMSDE.safetensors
    • alpha2 (xl1.0) - dreamshaperXL_alpha2Xl10.safetensors
    • alpha1 (xl0.9) - dreamshaperXL_alpha1Xl09.safetensors

      DreamShaper

    • 8 - dreamshaper_8.safetensors
    • 8 LCM - dreamshaper_8LCM.safetensors
    • 8-inpainting - dreamshaper_8Inpainting.safetensors
    • 8-diffusers - dreamshaper_8Diffusers.zip
    • 7 - dreamshaper_7.safetensors
    • 7-inpainting - dreamshaper_7-inpainting.safetensors
    • 7-diffusers - dreamshaper_7Diffusers_trainingData.zip
    • 6.31 baked vae - dreamshaper_631BakedVae.safetensors
    • 6.31-inpainting - dreamshaper_631Inpainting.safetensors
    • 6.31 diffusers - dreamshaper_631Diffusers_trainingData.zip
    • 6 baked vae - dreamshaper_6BakedVae.safetensors
    • 6.2 baked vae - dreamshaper_62BakedVae.safetensors
    • 6-inpainting - dreamshaper_6Inpainting.safetensors
    • 6 no vae - dreamshaper_6NoVae.safetensors
    • 6 diffusers - dreamshaper_6Diffusers_trainingData.zip
    • 5 baked vae - dreamshaper_5BakedVae.ckpt
    • 5 pruned (no vae) - train - dreamshaper_5PrunedNoVaeTrain.ckpt
    • 5-inpainting - dreamshaper_5-inpainting.safetensors
    • 5 baked vae diffusers - dreamshaper_5BakedVaeDiffusers_trainingData.zip
    • 4 baked vae - dreamshaper_4BakedVae.safetensors
    • 4-inpainting - dreamshaper_4-inpainting.safetensors
    • 4 baked vae fp16 - dreamshaper_4BakedVaeFp16.safetensors
    • 4 no vae - dreamshaper_4NoVae.safetensors
    • 4 no vae fp16 - dreamshaper_4NoVaeFp16.ckpt
    • 3.32 baked vae (clip fix) - dreamshaper_332BakedVaeClipFix.ckpt
    • 3.31 baked vae - dreamshaper_331BakedVae.ckpt
    • 3.31-inpainting - dreamshaper_331-inpainting.safetensors
    • 3.3 - dreamshaper_33.ckpt
    • 2.52 (safetensors fixed) - dreamshaper_252SafetensorsFixed.ckpt
    • 2.52 (pruned) - dreamshaper_252Pruned.ckpt
    • 2.52 (initial release) - dreamshaper_252InitialRelease.ckpt