null second floor

    miriam_leone, (standing behind the open window, leans leans head first out of the window), on the second floor, looking down the street, denim, oversized t-shirt, <lora:MiriamLeoneXL:1>, ((sharp face, detailed face, realistic face, naturtal skin, realistic skin, detailed skin, pores)), ((perfect eyes, detailed eyes,realistic eyes))
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    From the outside this house looks stylish. It has been built with brown stones and has yellow pine wooden decorations. Tall, squared windows add to the overall style of the house and have been added to the house in a mostly asymmetric way. The house is equipped with a modern kitchen and one average bathroom, it also has a generous living room, four bedrooms, a roomy dining area, a study and a small garage. The building is shaped like a squared S. The two extensions extend into overgrown wooden overhanging panels circling around half the house. The second floor is bigger than the first, which creates a stylish overhang on two sides of the house. This floor has a very different style than the floor below. The roof is flat and is covered with stone slabs. Two small chimneys sit at either side of the house. A few round, small windows let in enough light to the rooms below the roof. The house itself is surrounded by a modest garden, with mostly grass, a few flower patches and a children's playground.. in the style of nicola samori,<lora:TWbabeXL01:0.5>
    score_9, score_8_up, score_7_up, 1girl (medium full shot) of (gorgeous young woman:1.1) nurse black american with fringe hair, dark eyes, dark skin, curvy, wearing Bold striped scrubs in turquoise and white, featuring a V-neck top, straight-leg pants, nurse cap, turquoise clogs, penlight, captivating pose, showing indifference, tender,orchid fingers, in School infirmary tucked away on the second floor, white walls adorned with educational posters, rows of neatly arranged beds with crisp white sheets, medical cabinets stocked with supplies, soft overhead lighting, comfortable chairs for waiting parents , at night, Masterpiece,best quality, photorealistic, amazing quality, very aesthetic, extremely detailed face,
    score_9, score_8_up, score_7_up, 1girl (medium full shot) of (bonnie young woman:1.1) nurse mexican with dark hair, brown eyes, medium skin tone, medium build, wearing Classic white nurse uniform with a fitted blouse, pleated skirt, nurse cap, white nursing shoes, sitting with crossed legs, looking over the shoulder, pensive,fig sign, in School infirmary tucked away on the second floor, white walls adorned with educational posters, rows of neatly arranged beds with crisp white sheets, medical cabinets stocked with supplies, soft overhead lighting, comfortable chairs for waiting parents , at night, Masterpiece,best quality, photorealistic, amazing quality, very aesthetic, extremely detailed face,
    Wraith in the Window, An old, decrepit house with boarded-up windows, except for one on the second floor, A pale, ghostly figure can be seen standing in the window, staring blankly out at the world, its eyes glowing with a cold, eerie light, moss, (rain:1.5), raining, at night, moonlight, soft lights, foggy, mist, windy, (in Alphonse Mucha poster style, art nouveau, masterpiece, lithography, muted colors,:1.3), artchlr, <lora:artfullyECHELIER_SDXL_V1:0.75>, black, dark, <lora:- SDXL - vanta-black_contrast_V3.0:0.45>
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    ruby_rose, <lora:RubyRoseXL:1>, (standing behind the open window, leans leans head first out of the window), on the second floor, at night, looking down the street, outdoor, denim, oversized t-shirt,, (masterpiece, best quality, ultra-detailed, best shadow), high contrast, (best illumination), ((cinematic light)), colorful, hyper detail, dramatic light, intricate details, (1 girl, solo) , ultra detailed artistic photography, dreamy, backlit, shadows, ultra high definition, 8k, ultra sharp focus, ultra high quality model, soft lighting, film photography, analogue photography, hyperrealism,, ((perfect eyes, detailed eyes,realistic eyes)), ((sharp face, detailed face, realistic face, naturtal skin, realistic skin, detailed skin, pores))
    cinematic piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK,Stunning quality, masterpiece, best quality, hyper detailed, ultra detailed. Painting of a hurricane of multicolored clocks, the hands of which rotate in different directions. In the center of the whirlwind is a female figure dancing a waltz with time itself, with loose long hair.bioluminescence, fiber optics, masterpieces, octane rendering, unreal engine, , intricate detail, UHDR, 32K. emotional, harmonious, vignette, 4k epic detail, shot on kodak, 35mm photo, sharp focus, high budget, cinematic, moody, epic, gorgeous, film grain, grainy, piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK, Butterflies with dials instead of wings fly around her, and fragments of broken seconds hands are scattered on the floor.
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    victoria_justice, <lora:VictoriaJusticeXL:1>, (leans out of the window), on the second floor, at night, looking down the street, (wearing a oversized white shirt)), outdoor, denim, oversized t-shirt, ((perfect eyes, detailed eyes,realistic eyes)), ((sharp face, detailed face, realistic face, naturtal skin, realistic skin, detailed skin, pores)), (masterpiece, best quality, ultra-detailed, best shadow), high contrast, (best illumination), ((cinematic light)), colorful, hyper detail, dramatic light, intricate details, (1 girl, solo) , ultra detailed artistic photography, dreamy, backlit, shadows, ultra high definition, 8k, ultra sharp focus, ultra high quality model, soft lighting, film photography, analogue photography, hyperrealism,
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    In the heart of an ancient, crumbling mansion, the silence is broken as a single drop of water falls from a leaking ceiling onto a cobweb-covered floor. The feeble light of a dying candle flickers in the darkness as a solitary figure moves through the gloom, shrouded in shadows that seem to cling to them like a second skin. Every creak and groan from the decaying walls echoes through the chamber, amplifying the oppressive feeling of dread that hangs heavy in the air. The figure approaches an ornate sarcophagus, its lid adorned with intricate carvings of skulls and bones. With a trembling hand, they lift the lid to reveal the remains of a long-dead occupant – a desiccated corpse that seems to have been preserved in amber. The figure's heart races as they reach out to touch the cold, withered flesh, a strange compulsion driving them deeper into this macabre world. The minutes stretch into hours as the figure remains transfixed by the sight before them – the very embodiment of death and decay. They can almost hear the whispers of the departed souls, their voices echoing from beyond the grave – a chilling reminder of the inevitable passage from life to death.
    victoria_justice, <lora:VictoriaJusticeXL:1>, (leans out of the window), on the second floor, at night, looking down the street, (wearing a oversized white shirt)), outdoor, denim, oversized t-shirt, ((perfect eyes, detailed eyes,realistic eyes)), ((sharp face, detailed face, realistic face, naturtal skin, realistic skin, detailed skin, pores)), (masterpiece, best quality, ultra-detailed, best shadow), high contrast, (best illumination), ((cinematic light)), colorful, hyper detail, dramatic light, intricate details, (1 girl, solo) , ultra detailed artistic photography, dreamy, backlit, shadows, ultra high definition, 8k, ultra sharp focus, ultra high quality model, soft lighting, film photography, analogue photography, hyperrealism,
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    From the outside this house looks stylish. It has been built with brown stones and has yellow pine wooden decorations. Tall, squared windows add to the overall style of the house and have been added to the house in a mostly asymmetric way. The house is equipped with a modern kitchen and one average bathroom, it also has a generous living room, four bedrooms, a roomy dining area, a study and a small garage. The building is shaped like a squared S. The two extensions extend into overgrown wooden overhanging panels circling around half the house. The second floor is bigger than the first, which creates a stylish overhang on two sides of the house. This floor has a very different style than the floor below. The roof is flat and is covered with stone slabs. Two small chimneys sit at either side of the house. A few round, small windows let in enough light to the rooms below the roof. The house itself is surrounded by a modest garden, with mostly grass, a few flower patches and a children's playground.. in the style of nicola samori,<lora:TWbabeXL01:0.5>
    From the outside this house looks stylish. It has been built with brown stones and has yellow pine wooden decorations. Tall, squared windows add to the overall style of the house and have been added to the house in a mostly asymmetric way. The house is equipped with a modern kitchen and one average bathroom, it also has a generous living room, four bedrooms, a roomy dining area, a study and a small garage. The building is shaped like a squared S. The two extensions extend into overgrown wooden overhanging panels circling around half the house. The second floor is bigger than the first, which creates a stylish overhang on two sides of the house. This floor has a very different style than the floor below. The roof is flat and is covered with stone slabs. Two small chimneys sit at either side of the house. A few round, small windows let in enough light to the rooms below the roof. The house itself is surrounded by a modest garden, with mostly grass, a few flower patches and a children's playground.. in the style of nicola samori,<lora:TWbabeXL01:0.5>
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    cinematic piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK,Stunning quality, masterpiece, best quality, hyper detailed, ultra detailed. Painting of a hurricane of multicolored clocks, the hands of which rotate in different directions. In the center of the whirlwind is a female figure dancing a waltz with time itself, with loose long hair.bioluminescence, fiber optics, masterpieces, octane rendering, unreal engine, , intricate detail, UHDR, 32K. emotional, harmonious, vignette, 4k epic detail, shot on kodak, 35mm photo, sharp focus, high budget, cinematic, moody, epic, gorgeous, film grain, grainy, piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK, Butterflies with dials instead of wings fly around her, and fragments of broken seconds hands are scattered on the floor.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    From the outside this house looks stylish. It has been built with brown stones and has yellow pine wooden decorations. Tall, squared windows add to the overall style of the house and have been added to the house in a mostly asymmetric way. The house is equipped with a modern kitchen and one average bathroom, it also has a generous living room, four bedrooms, a roomy dining area, a study and a small garage. The building is shaped like a squared S. The two extensions extend into overgrown wooden overhanging panels circling around half the house. The second floor is bigger than the first, which creates a stylish overhang on two sides of the house. This floor has a very different style than the floor below. The roof is flat and is covered with stone slabs. Two small chimneys sit at either side of the house. A few round, small windows let in enough light to the rooms below the roof. The house itself is surrounded by a modest garden, with mostly grass, a few flower patches and a children's playground.. in the style of nicola samori,<lora:TWbabeXL01:0.5>
    a couple of people standing in a large room with a staircase leading to a skylight above them and a spiral staircase leading to a second floor, futuristic, fantasy, enchanting, detailed
    Wraith in the Window, An old, decrepit house with boarded-up windows, except for one on the second floor, A pale, ghostly figure can be seen standing in the window, staring blankly out at the world, its eyes glowing with a cold, eerie light, moss, (rain:1.5), raining, at night, moonlight, soft lights, foggy, mist, windy, (in Alphonse Mucha poster style, art nouveau, masterpiece, lithography, muted colors,:1.3), artchlr, <lora:artfullyECHELIER_SDXL_V1:0.75>, black, dark, <lora:- SDXL - vanta-black_contrast_V3.0:0.45>
    cinematic piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK,Stunning quality, masterpiece, best quality, hyper detailed, ultra detailed. Painting of a hurricane of multicolored clocks, the hands of which rotate in different directions. In the center of the whirlwind is a female figure dancing a waltz with time itself, with loose long hair.bioluminescence, fiber optics, masterpieces, octane rendering, unreal engine, , intricate detail, UHDR, 32K. emotional, harmonious, vignette, 4k epic detail, shot on kodak, 35mm photo, sharp focus, high budget, cinematic, moody, epic, gorgeous, film grain, grainy, piercing light, (aesthetics:1.1), (dim colors:1.2), BREAK, Butterflies with dials instead of wings fly around her, and fragments of broken seconds hands are scattered on the floor.

      DreamShaper XL

    • v2.1 Turbo DPM++ SDE - dreamshaperXL_v21TurboDPMSDE.safetensors
    • Lightning DPM++ SDE - dreamshaperXL_lightningDPMSDE.safetensors
    • SFW v2 Turbo DPM++ SDE - dreamshaperXL_sfwV2TurboDPMSDE.safetensors
    • SFW Lightning DPM++ SDE - dreamshaperXL_sfwLightningDPMSDE.safetensors
    • v2 Turbo DPM++ SDE - dreamshaperXL_v2TurboDPMSDE.safetensors
    • Turbo DPM++ SDE - dreamshaperXL_turboDPMSDE.safetensors
    • SFW Turbo DPM++ SDE - dreamshaperXL_sfwTurboDPMSDE.safetensors
    • alpha2 (xl1.0) - dreamshaperXL_alpha2Xl10.safetensors
    • alpha1 (xl0.9) - dreamshaperXL_alpha1Xl09.safetensors

      DreamShaper

    • 8 - dreamshaper_8.safetensors
    • 8 LCM - dreamshaper_8LCM.safetensors
    • 8-inpainting - dreamshaper_8Inpainting.safetensors
    • 8-diffusers - dreamshaper_8Diffusers.zip
    • 7 - dreamshaper_7.safetensors
    • 7-inpainting - dreamshaper_7-inpainting.safetensors
    • 7-diffusers - dreamshaper_7Diffusers_trainingData.zip
    • 6.31 baked vae - dreamshaper_631BakedVae.safetensors
    • 6.31-inpainting - dreamshaper_631Inpainting.safetensors
    • 6.31 diffusers - dreamshaper_631Diffusers_trainingData.zip
    • 6 baked vae - dreamshaper_6BakedVae.safetensors
    • 6.2 baked vae - dreamshaper_62BakedVae.safetensors
    • 6-inpainting - dreamshaper_6Inpainting.safetensors
    • 6 no vae - dreamshaper_6NoVae.safetensors
    • 6 diffusers - dreamshaper_6Diffusers_trainingData.zip
    • 5 baked vae - dreamshaper_5BakedVae.ckpt
    • 5 pruned (no vae) - train - dreamshaper_5PrunedNoVaeTrain.ckpt
    • 5-inpainting - dreamshaper_5-inpainting.safetensors
    • 5 baked vae diffusers - dreamshaper_5BakedVaeDiffusers_trainingData.zip
    • 4 baked vae - dreamshaper_4BakedVae.safetensors
    • 4-inpainting - dreamshaper_4-inpainting.safetensors
    • 4 baked vae fp16 - dreamshaper_4BakedVaeFp16.safetensors
    • 4 no vae - dreamshaper_4NoVae.safetensors
    • 4 no vae fp16 - dreamshaper_4NoVaeFp16.ckpt
    • 3.32 baked vae (clip fix) - dreamshaper_332BakedVaeClipFix.ckpt
    • 3.31 baked vae - dreamshaper_331BakedVae.ckpt
    • 3.31-inpainting - dreamshaper_331-inpainting.safetensors
    • 3.3 - dreamshaper_33.ckpt
    • 2.52 (safetensors fixed) - dreamshaper_252SafetensorsFixed.ckpt
    • 2.52 (pruned) - dreamshaper_252Pruned.ckpt
    • 2.52 (initial release) - dreamshaper_252InitialRelease.ckpt