null dull gleam

    The artwork features a broken jade snake statue. The snake, carved from vibrant green jade, is depicted as shattered, with deep cracks running along its sinuous body. The statue is divided visually by contrasting tones: the left side of the snake retains a polished, vibrant green, while the right side is dulled and fractured, resembling dark, weathered jade. The cracks are sharp and irregular, with fragments of the snake scattered as if mid-explosion, evoking a sense of destruction and chaos. The head of the snake, split down the middle, has one eye intact and gleaming, while the other is fractured and dim. Its open mouth reveals broken fangs, adding to the sense of loss and decay. The background transitions from a dark, shadowy gray at the edges to a lighter gray toward the center, giving depth and focus to the broken statue. Below, the shattered pieces and cracks are mirrored on a smooth, reflective surface, emphasizing the destruction with a haunting symmetry. The textures of the jade are intricately detailed, from the polished sheen of the intact portions to the rough, jagged edges of the broken sections. The overall style is realistic, with an emphasis on the contrast between the smooth, undamaged jade and the chaotic fragmentation, creating a powerful and evocative image of destruction and fragility.
    Lo! Death has reared himself a throne In a strange city lying alone Far down within the dim West, Where the good and the bad and the worst and the best Have gone to their eternal rest. There shrines and palaces and towers (Time-eaten towers that tremble not!) Resemble nothing that is ours. Around, by lifting winds forgot, Resignedly beneath the sky The melancholy waters lie. No rays from the holy heaven come down On the long night-time of that town; But light from out the lurid sea Streams up the turrets silently- Gleams up the pinnacles far and free- Up domes- up spires- up kingly halls- Up fanes- up Babylon-like walls- Up shadowy long-forgotten bowers Of sculptured ivy and stone flowers- Up many and many a marvellous shrine Whose wreathed friezes intertwine The viol, the violet, and the vine. Resignedly beneath the sky The melancholy waters lie. So blend the turrets and shadows there That all seem pendulous in air, While from a proud tower in the town Death looks gigantically down. There open fanes and gaping graves Yawn level with the luminous waves; But not the riches there that lie In each idol's diamond eye- Not the gaily-jewelled dead Tempt the waters from their bed; For no ripples curl, alas! Along that wilderness of glass- No swellings tell that winds may be Upon some far-off happier sea- No heavings hint that winds have been On seas less hideously serene. But lo, a stir is in the air! The wave- there is a movement there! As if the towers had thrust aside, In slightly sinking, the dull tide- As if their tops had feebly given A void within the filmy Heaven. The waves have now a redder glow- The hours are breathing faint and low- And when, amid no earthly moans, Down, down that town shall settle hence, Hell, rising from a thousand thrones, Shall do it reverence.
    Hyperrealism, she is looking at the camera, (dynamic angles), profile headshots of a beautiful, stunning unique female character. she has hair. her eyes are filled with joy and excitement, extravagant eyelashes, A photo of K@yla, a woman with short hair and glasses, wearing a white sweater and a necklace. . The woman is posing confidently. simple beige background. She has a slight smile on her face and is looking directly at the camera. The background is a simple white wall.. making this image a masterpiece of photography and digital art. Style: realistic hyper-detailed rendering, 32k UHD, expressive eyes, punk, graphic design, girl's face, pretty and cute, gleaming lips, white skin, telling a tale of adventure. Exuding confidence and serenity. The background is a simple white wall. The overall mood of the image is happy and relaxed.RAW candid cinema,16mm,color graded portra 400 film,remarkable color,ultra realistic,textured skin,remarkable detailed pupils,realistic dull skin noise,visible skin detail,skin fuzz,dry skin,shot with cinematic camera,detailed skin texture,(blush:0.2),(goosebumps:0.3),subsurface scattering,beautiful photograph in the style of Augustus John,Sergio Toppi,Virginia Frances Sterrett,8k HD,detailed skin texture,ultra realistic,textured skin,analog raw photo,cinematic grain,whimsical,detailed hand,perfect hand.perfect style.
    Hyperrealism, she is looking at the camera, (dynamic angles), profile headshots of a beautiful, stunning unique female character. she has hair. her eyes are filled with joy and excitement, extravagant eyelashes, A photo of K@yla, a woman with short hair and glasses, wearing a white sweater and a necklace. . The woman is posing confidently. simple beige background. She has a slight smile on her face and is looking directly at the camera. The background is a simple white wall.. making this image a masterpiece of photography and digital art. Style: realistic hyper-detailed rendering, 32k UHD, expressive eyes, punk, graphic design, girl's face, pretty and cute, gleaming lips, white skin, telling a tale of adventure. Exuding confidence and serenity. The background is a simple white wall. The overall mood of the image is happy and relaxed.RAW candid cinema,16mm,color graded portra 400 film,remarkable color,ultra realistic,textured skin,remarkable detailed pupils,realistic dull skin noise,visible skin detail,skin fuzz,dry skin,shot with cinematic camera,detailed skin texture,(blush:0.2),(goosebumps:0.3),subsurface scattering,beautiful photograph in the style of Augustus John,Sergio Toppi,Virginia Frances Sterrett,8k HD,detailed skin texture,ultra realistic,textured skin,analog raw photo,cinematic grain,whimsical,detailed hand,perfect hand.perfect style.
    Hyperrealism, she is looking at the camera, (dynamic angles), profile headshots of a beautiful, stunning unique female character. she has hair. her eyes are filled with joy and excitement, extravagant eyelashes, A photo of K@yla, a woman with short hair and glasses, wearing a white sweater and a necklace. . The woman is posing confidently. simple beige background. She has a slight smile on her face and is looking directly at the camera. The background is a simple white wall.. making this image a masterpiece of photography and digital art. Style: realistic hyper-detailed rendering, 32k UHD, expressive eyes, punk, graphic design, girl's face, pretty and cute, gleaming lips, white skin, telling a tale of adventure. Exuding confidence and serenity. The background is a simple white wall. The overall mood of the image is happy and relaxed.RAW candid cinema,16mm,color graded portra 400 film,remarkable color,ultra realistic,textured skin,remarkable detailed pupils,realistic dull skin noise,visible skin detail,skin fuzz,dry skin,shot with cinematic camera,detailed skin texture,(blush:0.2),(goosebumps:0.3),subsurface scattering,beautiful photograph in the style of Augustus John,Sergio Toppi,Virginia Frances Sterrett,8k HD,detailed skin texture,ultra realistic,textured skin,analog raw photo,cinematic grain,whimsical,detailed hand,perfect hand.perfect style.
    Imagine the Tin Man from 'The Wizard of Oz,' now a weathered and rusted figure, standing amidst the ruins of a post-apocalyptic world. His once-shiny metal body is now dull and corroded, with patches of rust eating away at his joints. His axe, once gleaming and sharp, is now worn and chipped from years of use. Despite his deteriorated appearance, there is a sense of strength and determination in the Tin Man's stance, a testament to his enduring spirit. Behind him, the landscape is bleak and desolate, with crumbling buildings and twisted metal littering the horizon. The sky is a murky gray, casting a somber light over the scene. Capture the essence of the Tin Man, aged and worn but still standing strong, in this post-apocalyptic setting
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    Hyperrealism, she is looking at the camera, (dynamic angles), profile headshots of a beautiful, stunning unique female character. she has hair. her eyes are filled with joy and excitement, extravagant eyelashes, A photo of K@yla, a woman with short hair and glasses, wearing a white sweater and a necklace. . The woman is posing confidently. simple beige background. She has a slight smile on her face and is looking directly at the camera. The background is a simple white wall.. making this image a masterpiece of photography and digital art. Style: realistic hyper-detailed rendering, 32k UHD, expressive eyes, punk, graphic design, girl's face, pretty and cute, gleaming lips, white skin, telling a tale of adventure. Exuding confidence and serenity. The background is a simple white wall. The overall mood of the image is happy and relaxed.RAW candid cinema,16mm,color graded portra 400 film,remarkable color,ultra realistic,textured skin,remarkable detailed pupils,realistic dull skin noise,visible skin detail,skin fuzz,dry skin,shot with cinematic camera,detailed skin texture,(blush:0.2),(goosebumps:0.3),subsurface scattering,beautiful photograph in the style of Augustus John,Sergio Toppi,Virginia Frances Sterrett,8k HD,detailed skin texture,ultra realistic,textured skin,analog raw photo,cinematic grain,whimsical,detailed hand,perfect hand.perfect style.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A vintage, rusted car sits abandoned in the heart of a dense, misty forest. The car, a 1950s sedan, is partially overgrown with moss and vines, its once-gleaming chrome now dulled by time. The forest is alive with towering pine trees, their trunks thick and gnarled, casting long shadows across the forest floor. Sunlight filters through the canopy in scattered beams, illuminating patches of ferns and wildflowers. The air is thick with the scent of damp earth and pine, and a faint mist lingers, adding an eerie, otherworldly atmosphere. A small stream trickles nearby, its clear water reflecting the soft, golden light of late afternoon. The scene is silent, save for the occasional rustle of leaves or distant birdcall, evoking a sense of quiet isolation and forgotten history. The car’s windows are cracked, and its interior is filled with fallen leaves, suggesting years of neglect. The mood is melancholic yet captivating, blending decay with the enduring beauty of nature reclaiming its space.
    A giant mechanical radioactive worm slithers through a desolate, post-apocalyptic landscape, its metallic body gleaming ominously under the dull gray sky. The worm, covered in intricate gears and pulsating neon green lights, undulates fiercely, kicking up clouds of radioactive dust that swirl around it. The barren earth is cracked and lifeless, interspersed with toxic glowing pools, casting an eerie atmosphere filled with tension. The predominant color palette consists of deep metallic grays, sickly greens, and blackened earth tones, enhancing the haunting and dystopian mood of the scene.

      DreamShaper XL

    • v2.1 Turbo DPM++ SDE - dreamshaperXL_v21TurboDPMSDE.safetensors
    • Lightning DPM++ SDE - dreamshaperXL_lightningDPMSDE.safetensors
    • SFW v2 Turbo DPM++ SDE - dreamshaperXL_sfwV2TurboDPMSDE.safetensors
    • SFW Lightning DPM++ SDE - dreamshaperXL_sfwLightningDPMSDE.safetensors
    • v2 Turbo DPM++ SDE - dreamshaperXL_v2TurboDPMSDE.safetensors
    • Turbo DPM++ SDE - dreamshaperXL_turboDPMSDE.safetensors
    • SFW Turbo DPM++ SDE - dreamshaperXL_sfwTurboDPMSDE.safetensors
    • alpha2 (xl1.0) - dreamshaperXL_alpha2Xl10.safetensors
    • alpha1 (xl0.9) - dreamshaperXL_alpha1Xl09.safetensors

      DreamShaper

    • 8 - dreamshaper_8.safetensors
    • 8 LCM - dreamshaper_8LCM.safetensors
    • 8-inpainting - dreamshaper_8Inpainting.safetensors
    • 8-diffusers - dreamshaper_8Diffusers.zip
    • 7 - dreamshaper_7.safetensors
    • 7-inpainting - dreamshaper_7-inpainting.safetensors
    • 7-diffusers - dreamshaper_7Diffusers_trainingData.zip
    • 6.31 baked vae - dreamshaper_631BakedVae.safetensors
    • 6.31-inpainting - dreamshaper_631Inpainting.safetensors
    • 6.31 diffusers - dreamshaper_631Diffusers_trainingData.zip
    • 6 baked vae - dreamshaper_6BakedVae.safetensors
    • 6.2 baked vae - dreamshaper_62BakedVae.safetensors
    • 6-inpainting - dreamshaper_6Inpainting.safetensors
    • 6 no vae - dreamshaper_6NoVae.safetensors
    • 6 diffusers - dreamshaper_6Diffusers_trainingData.zip
    • 5 baked vae - dreamshaper_5BakedVae.ckpt
    • 5 pruned (no vae) - train - dreamshaper_5PrunedNoVaeTrain.ckpt
    • 5-inpainting - dreamshaper_5-inpainting.safetensors
    • 5 baked vae diffusers - dreamshaper_5BakedVaeDiffusers_trainingData.zip
    • 4 baked vae - dreamshaper_4BakedVae.safetensors
    • 4-inpainting - dreamshaper_4-inpainting.safetensors
    • 4 baked vae fp16 - dreamshaper_4BakedVaeFp16.safetensors
    • 4 no vae - dreamshaper_4NoVae.safetensors
    • 4 no vae fp16 - dreamshaper_4NoVaeFp16.ckpt
    • 3.32 baked vae (clip fix) - dreamshaper_332BakedVaeClipFix.ckpt
    • 3.31 baked vae - dreamshaper_331BakedVae.ckpt
    • 3.31-inpainting - dreamshaper_331-inpainting.safetensors
    • 3.3 - dreamshaper_33.ckpt
    • 2.52 (safetensors fixed) - dreamshaper_252SafetensorsFixed.ckpt
    • 2.52 (pruned) - dreamshaper_252Pruned.ckpt
    • 2.52 (initial release) - dreamshaper_252InitialRelease.ckpt