null aesthetics of black humor

    movie poster with the title text: "COME TO THE DARK SIDE, WE HAVE COOKIES" in a sci-fi-style 3d text, highly aesthetic, epic composition, low angle view, darth vader is facing the viewer, wearing a chef's hat above his iconic helmet, he is holding a plate of freshly baked chocolate cookies in front of him, the cookies are slightly steaming, as if they just came out of the oven, vader's imposing figure contrasts with the unexpected lightheartedness of the scene, in the background, the cold, industrial interior of the death star is visible, towering control panels flicker with glowing lights, the dark metallic walls and floors reflect the ominous atmosphere of the scene, the subtle red and black color scheme is used to enhance vader's menacing presence, deep shadows are cast across the reflective surfaces of the walls, emphasizing the sterile and foreboding nature of the death star, darth vader stands center stage, dominating the composition, his black cape billowing slightly behind him, darth vader's iconic mask is expressionless, but his body language is commanding, standing tall and proud, the camera angle is a dramatic low-angle shot, become a crucial point of focus due to the angle and framing, adding to the surreal humor, the lighting is cinematic, with deep shadows cast across vader's figure and the surrounding environment, harsh light reflects off his helmet and chest plate, creating stark contrasts between light and dark,
    Macaroni miniature made of transparent spaghetti mass, inside steam-smoke, gloss, aesthetics of black humor, fabulous background with waterfall, aesthetics of quantum catharsis, pin-up style, detailed texture, digital macro photography of glassy, UHD graphics, volumetric lighting
    made of wagyu, A hyper-realistic, ultra-detailed bodybuilder at the gym, but their skin is fully Wagyu-marbled, showing intricate patterns of red muscle and delicate white fat. Their veins resemble streaks of Wagyu fat, enhancing their muscular definition. ((lifting massive dumbbells:1.2)) made of pink Himalayan salt rocks, sweat dripping in the form of sizzling rendered Wagyu fat. Their intense, determined expression showcases their peak physical form. They wear a tight gym tank top that reads '100% Marbled Gains' in bold letters. The luxurious gym features Wagyu-themed equipment: weight plates resembling perfectly seared steak crust, a high-end aesthetic with gold and black accents. Gym posters on the walls display motivational quotes like 'No Pain, No Sear!' and 'Bulk Like Wagyu!' In the background, a jealous sirloin steak struggles to lift tiny weights, looking frustrated. The atmosphere is vibrant, intense, and slightly humorous, capturing the peak of fitness culture in a Wagyu-inspired world. Studio lighting, cinematic depth, ultra-sharp details, 8K, highly detailed textures, dramatic shadows, concept art, trending on ArtStation.
    movie poster with the title text: "COME TO THE DARK SIDE, WE HAVE COOKIES" in a sci-fi-style 3d text, highly aesthetic, epic composition, low angle view, darth vader is facing the viewer, wearing a chef's hat above his iconic helmet, he is holding a plate of freshly baked chocolate cookies in front of him, the cookies are slightly steaming, as if they just came out of the oven, vader's imposing figure contrasts with the unexpected lightheartedness of the scene, in the background, the cold, industrial interior of the death star is visible, towering control panels flicker with glowing lights, the dark metallic walls and floors reflect the ominous atmosphere of the scene, the subtle red and black color scheme is used to enhance vader's menacing presence, deep shadows are cast across the reflective surfaces of the walls, emphasizing the sterile and foreboding nature of the death star, darth vader stands center stage, dominating the composition, his black cape billowing slightly behind him, darth vader's iconic mask is expressionless, but his body language is commanding, standing tall and proud, the camera angle is a dramatic low-angle shot, become a crucial point of focus due to the angle and framing, adding to the surreal humor, the lighting is cinematic, with deep shadows cast across vader's figure and the surrounding environment, harsh light reflects off his helmet and chest plate, creating stark contrasts between light and dark,
    movie poster with the title text: "COME TO THE DARK SIDE, WE HAVE COOKIES" in a sci-fi-style 3d text, highly aesthetic, epic composition, low angle view, darth vader is facing the viewer, wearing a chef's hat above his iconic helmet, he is holding a plate of freshly baked chocolate cookies in front of him, the cookies are slightly steaming, as if they just came out of the oven, vader's imposing figure contrasts with the unexpected lightheartedness of the scene, in the background, the cold, industrial interior of the death star is visible, towering control panels flicker with glowing lights, the dark metallic walls and floors reflect the ominous atmosphere of the scene, the subtle red and black color scheme is used to enhance vader's menacing presence, deep shadows are cast across the reflective surfaces of the walls, emphasizing the sterile and foreboding nature of the death star, darth vader stands center stage, dominating the composition, his black cape billowing slightly behind him, darth vader's iconic mask is expressionless, but his body language is commanding, standing tall and proud, the camera angle is a dramatic low-angle shot, become a crucial point of focus due to the angle and framing, adding to the surreal humor, the lighting is cinematic, with deep shadows cast across vader's figure and the surrounding environment, harsh light reflects off his helmet and chest plate, creating stark contrasts between light and dark,
    movie poster with the title text: "COME TO THE DARK SIDE, WE HAVE COOKIES" in a sci-fi-style 3d text, highly aesthetic, epic composition, low angle view, darth vader is facing the viewer, wearing a chef's hat above his iconic helmet, he is holding a plate of freshly baked chocolate cookies in front of him, the cookies are slightly steaming, as if they just came out of the oven, vader's imposing figure contrasts with the unexpected lightheartedness of the scene, in the background, the cold, industrial interior of the death star is visible, towering control panels flicker with glowing lights, the dark metallic walls and floors reflect the ominous atmosphere of the scene, the subtle red and black color scheme is used to enhance vader's menacing presence, deep shadows are cast across the reflective surfaces of the walls, emphasizing the sterile and foreboding nature of the death star, darth vader stands center stage, dominating the composition, his black cape billowing slightly behind him, darth vader's iconic mask is expressionless, but his body language is commanding, standing tall and proud, the camera angle is a dramatic low-angle shot, become a crucial point of focus due to the angle and framing, adding to the surreal humor, the lighting is cinematic, with deep shadows cast across vader's figure and the surrounding environment, harsh light reflects off his helmet and chest plate, creating stark contrasts between light and dark,

      DreamShaper XL

    • v2.1 Turbo DPM++ SDE - dreamshaperXL_v21TurboDPMSDE.safetensors
    • Lightning DPM++ SDE - dreamshaperXL_lightningDPMSDE.safetensors
    • SFW v2 Turbo DPM++ SDE - dreamshaperXL_sfwV2TurboDPMSDE.safetensors
    • SFW Lightning DPM++ SDE - dreamshaperXL_sfwLightningDPMSDE.safetensors
    • v2 Turbo DPM++ SDE - dreamshaperXL_v2TurboDPMSDE.safetensors
    • Turbo DPM++ SDE - dreamshaperXL_turboDPMSDE.safetensors
    • SFW Turbo DPM++ SDE - dreamshaperXL_sfwTurboDPMSDE.safetensors
    • alpha2 (xl1.0) - dreamshaperXL_alpha2Xl10.safetensors
    • alpha1 (xl0.9) - dreamshaperXL_alpha1Xl09.safetensors

      DreamShaper

    • 8 - dreamshaper_8.safetensors
    • 8 LCM - dreamshaper_8LCM.safetensors
    • 8-inpainting - dreamshaper_8Inpainting.safetensors
    • 8-diffusers - dreamshaper_8Diffusers.zip
    • 7 - dreamshaper_7.safetensors
    • 7-inpainting - dreamshaper_7-inpainting.safetensors
    • 7-diffusers - dreamshaper_7Diffusers_trainingData.zip
    • 6.31 baked vae - dreamshaper_631BakedVae.safetensors
    • 6.31-inpainting - dreamshaper_631Inpainting.safetensors
    • 6.31 diffusers - dreamshaper_631Diffusers_trainingData.zip
    • 6 baked vae - dreamshaper_6BakedVae.safetensors
    • 6.2 baked vae - dreamshaper_62BakedVae.safetensors
    • 6-inpainting - dreamshaper_6Inpainting.safetensors
    • 6 no vae - dreamshaper_6NoVae.safetensors
    • 6 diffusers - dreamshaper_6Diffusers_trainingData.zip
    • 5 baked vae - dreamshaper_5BakedVae.ckpt
    • 5 pruned (no vae) - train - dreamshaper_5PrunedNoVaeTrain.ckpt
    • 5-inpainting - dreamshaper_5-inpainting.safetensors
    • 5 baked vae diffusers - dreamshaper_5BakedVaeDiffusers_trainingData.zip
    • 4 baked vae - dreamshaper_4BakedVae.safetensors
    • 4-inpainting - dreamshaper_4-inpainting.safetensors
    • 4 baked vae fp16 - dreamshaper_4BakedVaeFp16.safetensors
    • 4 no vae - dreamshaper_4NoVae.safetensors
    • 4 no vae fp16 - dreamshaper_4NoVaeFp16.ckpt
    • 3.32 baked vae (clip fix) - dreamshaper_332BakedVaeClipFix.ckpt
    • 3.31 baked vae - dreamshaper_331BakedVae.ckpt
    • 3.31-inpainting - dreamshaper_331-inpainting.safetensors
    • 3.3 - dreamshaper_33.ckpt
    • 2.52 (safetensors fixed) - dreamshaper_252SafetensorsFixed.ckpt
    • 2.52 (pruned) - dreamshaper_252Pruned.ckpt
    • 2.52 (initial release) - dreamshaper_252InitialRelease.ckpt