null (smaller frame with

    Massive capital ship adrift in deep space, its colossal, angular form dominating the scene, retro-futuristic design with sleek metallic surfaces and glowing energy cores, enormous hangar bays visible with various smaller starships maneuvering around it, some ships docking, others flying in formation, a variety of starship designs (sleek fighters, bulky cargo ships, elegant cruisers) reflecting bold neon colors (vibrant blues, oranges, purples, and greens), soft light from distant stars casting long shadows across the hull, painterly textures capturing the vastness of space, surrounding stars, and a distant nebula glowing faintly in the background, subtle motion from the starships creating a sense of dynamic energy, the scene evoking a mysterious, almost eerie calm as the capital ship floats, its engines inactive, high contrast between the dark void of space and the brightly lit ships, reminiscent of 1970s-1980s sci-fi cover art, with surreal, cinematic framing and vibrant colors
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    RAW photo, (badass hip hop girl), (style of Cognito Filippo:1.4), nsfw, Dynamic hip hop art, Doubt, Puffer jacket, joggers, colorful sneakers, Classic black smokey eye with winged eyeliner, cohen, sam yang, Undercut, Lavender hair color, Petite and curvy (smaller frame with curves in all the right places), Museum, (finely detailed beautiful eyes: 1.2), hdr, perfect composition, goosebumps, detailed skin, skin blemish, sharp focus, beautiful eyes, (analog style:1.2), (film grain:1.2), (high detailed skin:1.2), 8k uhd, dslr, soft lighting, high quality, film grain, Fujifilm XT3, perfect lighting, perfect shading, <lora:epi_noiseoffset2:0.3> <lora:skinny_new_skin:0.3> <lora:Cohen_20230701183210:0.3> <lora:sam_yang_offset_right_filesize:0.5>
    colossal, battle-worn mech, towering amidst a bleak, rainy, flooded, desolate landscape, its metal frame scarred and rusted from countless skirmishes. It stands resolute, holding the line against a relentless onslaught of smaller robots swarming from all directions. The air is thick with the cacophony of gunfire and explosions as drones circle overhead, raining down rockets upon the beleaguered mech. The atmosphere is bleak, the sky obscured by ominous clouds, adding to the sense of impending doom as the mech fights against overwhelming odds
    Massive capital ship adrift in deep space, its colossal, angular form dominating the scene, retro-futuristic design with sleek metallic surfaces and glowing energy cores, enormous hangar bays visible with various smaller starships maneuvering around it, some ships docking, others flying in formation, a variety of starship designs (sleek fighters, bulky cargo ships, elegant cruisers) reflecting bold neon colors (vibrant blues, oranges, purples, and greens), soft light from distant stars casting long shadows across the hull, painterly textures capturing the vastness of space, surrounding stars, and a distant nebula glowing faintly in the background, subtle motion from the starships creating a sense of dynamic energy, the scene evoking a mysterious, almost eerie calm as the capital ship floats, its engines inactive, high contrast between the dark void of space and the brightly lit ships, reminiscent of 1970s-1980s sci-fi cover art, with surreal, cinematic framing and vibrant colors
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A realistic fantasy-themed photograph captures a serene scene of a sleeping stone statue in a dense forest. The statue, positioned diagonally from the lower left to the upper right corner of the frame, depicts a young woman with closed eyes, a peaceful expression, and a fair complexion that has an ethereal pale greenish hue. Her dark brown hair flows naturally and is adorned with a delicate crown of small white flowers, blending perfectly into the surrounding nature. The statue's form is covered in lush green moss, giving it an ancient, integrated look with a textured surface that contrasts with the softness of the foliage. The left arm of the statue is bent at the elbow and rests gently at the side, while the right hand is positioned across the torso, both adding to the feeling of stillness. The foreground is filled with various types of lush green plants, including ferns, broad-leaved plants, and smaller foliage, with some leaves blurred due to the depth of field.
    A realistic fantasy-themed photograph captures a serene scene of a sleeping stone statue in a dense forest. The statue, positioned diagonally from the lower left to the upper right corner of the frame, depicts a young woman with closed eyes, a peaceful expression, and a fair complexion that has an ethereal pale greenish hue. Her dark brown hair flows naturally and is adorned with a delicate crown of small white flowers, blending perfectly into the surrounding nature. The statue's form is covered in lush green moss, giving it an ancient, integrated look with a textured surface that contrasts with the softness of the foliage. The left arm of the statue is bent at the elbow and rests gently at the side, while the right hand is positioned across the torso, both adding to the feeling of stillness. The foreground is filled with various types of lush green plants, including ferns, broad-leaved plants, and smaller foliage, with some leaves blurred due to the depth of field.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    A realistic fantasy-themed photograph captures a serene scene of a sleeping stone statue in a dense forest. The statue, positioned diagonally from the lower left to the upper right corner of the frame, depicts a young woman with closed eyes, a peaceful expression, and a fair complexion that has an ethereal pale greenish hue. Her dark brown hair flows naturally and is adorned with a delicate crown of small white flowers, blending perfectly into the surrounding nature. The statue's form is covered in lush green moss, giving it an ancient, integrated look with a textured surface that contrasts with the softness of the foliage. The left arm of the statue is bent at the elbow and rests gently at the side, while the right hand is positioned across the torso, both adding to the feeling of stillness. The foreground is filled with various types of lush green plants, including ferns, broad-leaved plants, and smaller foliage, with some leaves blurred due to the depth of field.
    A realistic fantasy-themed photograph captures a serene scene of a sleeping stone statue in a dense forest. The statue, positioned diagonally from the lower left to the upper right corner of the frame, depicts a young woman with closed eyes, a peaceful expression, and a fair complexion that has an ethereal pale greenish hue. Her dark brown hair flows naturally and is adorned with a delicate crown of small white flowers, blending perfectly into the surrounding nature. The statue's form is covered in lush green moss, giving it an ancient, integrated look with a textured surface that contrasts with the softness of the foliage. The left arm of the statue is bent at the elbow and rests gently at the side, while the right hand is positioned across the torso, both adding to the feeling of stillness. The foreground is filled with various types of lush green plants, including ferns, broad-leaved plants, and smaller foliage, with some leaves blurred due to the depth of field.
    A digital watercolor illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    naturalist's journal page depicting a beautiful but menacing harpy, sketched in dark, fine pencil with delicate, haunting details.. Her features are framed by a wild mane of feathers, some flowing softly like hair, but others jagged and ruffled, giving her a fierce, untamed look. Her slender arms end in sharp, curved talons, and her powerful, feathered wings are spread partially, showing intricate feather patterns reminiscent of a bird of prey. Notes in faded ink describe her ‘siren-like voice’ and ‘graceful yet deadly aerial movements,’ warning that her beauty masks her predatory instincts. Smaller sketches surround the main drawing, showing close-ups of her talons, wing structure, and a fearsome, fanged smile, hinting at her aggressive nature. The page is weathered with light smudges and water stains, giving an authentic, vintage look to this eerie field study of the harpy.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    This is a digital artwork in a highly detailed, hyper-realistic style. The image depicts a surreal, fantastical landscape through a large, arch-shaped stone structure that appears to be carved from rugged, weathered rock. The arch frames a serene, reflective body of water, resembling a lake, which is surrounded by arid, desert-like terrain. The sky above is a vibrant blue with scattered, fluffy white clouds, suggesting a clear day. The landscape beyond the arch features jagged, towering rock formations in shades of blue, purple, and gray, resembling an alien or futuristic terrain. These formations are interspersed with smaller, more rounded boulders and scattered vegetation. The water in the lake is a deep blue, mirroring the sky and enhancing the sense of depth and serenity. Floating above the lake are several spherical objects, possibly planets or spaceships, adding to the otherworldly ambiance. The foreground is rocky and sparse, with small patches of green vegetation. The overall color palette is dominated by earthy tones, blues, and purples, creating a harmonious yet striking contrast. The image is rich in detail, from the textures of the rocks to the subtle reflections in the water, making it a captivating and imaginative piece of digital art.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    RAW photo, (goth girl), (style of Nan Goldin:1.4), eerie, dark theme, Curiosity, Wide-leg trousers, silk blouse, and loafers, Half-up, half-down, Neon green hair color, Petite (smaller frame and height), Shadowy forest with glowing eyes peering from the trees, sam yang, (film grain:1.2), (high detailed skin:1.2), 8k uhd, dslr, soft lighting, high quality, film grain, Fujifilm XT3, <lora:sam_yang_offset_right_filesize:0.4>
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A digital 8k CG illustration of a quaint Okinawa Japan street corner featuring a two-story building with a cafe on the ground floor. The building has a white facade with wood trim, large rectangular windows with blue wooden frames on the first floor, and smaller rectangular windows on the second floor. The roof is adorned with greenery and terracotta potted plants. A classical black street lamp stands to the left, and a matching lake blue bus stop sign is on the right. The cafe sports a red awning, wooden double doors, and a display window full of pastries and coffee. Next to the entrance, a small round table with a single red chair invites passersby, telegraph poles on the other side. The overall color palette consists of warm beiges, lake blue, touches of red, and lush greens, all rendered in a soft, slightly exaggerated cartoon style reminiscent of animated films.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    naturalist's journal page depicting a beautiful but menacing harpy, sketched in dark, fine pencil with delicate, haunting details.. Her features are framed by a wild mane of feathers, some flowing softly like hair, but others jagged and ruffled. Smaller sketches surround the main drawing, showing of her woman body, wing structure,. The page is weathered with light smudges and water stains, giving an authentic, vintage look to this eerie field study of the harpy.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    (close up shot) A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film.
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    A realistic fantasy-themed photograph captures a serene scene of a sleeping stone statue in a dense forest. The statue, positioned diagonally from the lower left to the upper right corner of the frame, depicts a young woman with closed eyes, a peaceful expression, and a fair complexion that has an ethereal pale greenish hue. Her dark brown hair flows naturally and is adorned with a delicate crown of small white flowers, blending perfectly into the surrounding nature. The statue's form is covered in lush green moss, giving it an ancient, integrated look with a textured surface that contrasts with the softness of the foliage. The left arm of the statue is bent at the elbow and rests gently at the side, while the right hand is positioned across the torso, both adding to the feeling of stillness. The foreground is filled with various types of lush green plants, including ferns, broad-leaved plants, and smaller foliage, with some leaves blurred due to the depth of field.
    Hard-Edge Painting Sigh-inducing bidirectional path tracing re engine baroque sgraffito baroque, beautiful, elements, Ivory, Gold, Silver, Diamond, Topas, Flower, Ring, Fractal, Frame, embroidery, <lora:add-detail-xl:2.0>, chuck lukacs, detailed expressive eyes, fantasy style, the __monster_silly__, a guardian of the much smaller __monster_silly__s, it is a creature with magical garbonified blunderquack etched into its chitinous armor plates, standing sentinel in an overgrown ruin filled with confrenctioned artifacts, prairie Meadow, adverse weather, <lora:artfulquilts:1>
    A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film. studio room with graffiti wall on the side, cluttered space, (neon_pop style art:1.2, cinematic lighting:1.2), green, blue, (astraaligraffiti, graffiti wall:1.2), <lora:add_detail:0.6> , monitor stack, <lora:Monitors:1.3>
    A stark, black background with the unmistakable white text of a government classification crawling upwards from the bottom of the frame. The words "CONFIDENTIAL" and "DEPARTMENT OF DEFENSE" are stenciled in bold, red letters, with the edges slightly distorted as if seen through a digital glitch or interference. The main text, in a large, blocky font, reads: "THIS VIDEO CONTAINS CONFIDENTIAL INFORMATION PERTAINING TO THE CLOVERFIELD EVENT." Above, the date "01.18.08" flickers in a smaller, green font, hinting at the footage's timestamp. The crawl moves at a steady pace, mimicking the iconic opening of the movie Cloverfield. The background is a blend of static and fading pixels, adding an ominous and authentic feel of a found-footage film. As the crawl reaches the top, it fades out, leaving the screen empty for a brief moment before the actual video footage begins to play. The image evokes a sense of tension and intrigue, setting the stage for the classified content that is about to be revealed to the viewer, much like the anticipation of witnessing an unseen disaster unfold in the film. studio room with graffiti wall on the side, cluttered space, (neon_pop style art:1.2, cinematic lighting:1.2), green, blue, (astraaligraffiti, graffiti wall:1.2), <lora:add_detail:0.6> , monitor stack, <lora:Monitors:1.3>
    The image is of a black and yellow bumble bee, sitting on a stool in front of an easel. The bumble bee is holding a paintbrush and appears to be in the process of painting a portrait of himself. The bumble bee is wearing a red and white Christmas hat and blue shirt with the words, “Buzz off” written on the back in bright yellow words. The bee is sitting on the stool with his back and stinger pointing to the camera. On the easel, there is a large portrait of the bee’s face, which is drawn in black and white. The portrait is framed in a gold-colored frame and is surrounded by various art supplies such as paintbrushes, paint cans, and a bucket of paint. There are also several smaller portraits hanging on the wall behind the bee. The background is white, and the overall mood of the image is one of concentration and focus. **BuzzBee (Honey Nut Cheerios Mascot) was done via inpainting through Fooocus**
    A year earlier, “Jacky” Stone was a different man. The bar was dimly lit, the air thick with the smell of spilled beer and stale cigarettes. sat at the counter, nursing his fifth—or was it his sixth?—glass of whiskey. His massive frame hunched over the drink, his blue eyes dark as the lake he grew up near, staring into the amber liquid as though it held the answers to questions he didn’t dare ask. When the shove came, it wasn’t unexpected. Bars like this always had someone looking for trouble, and Jacky’s size made him a magnet for insecure tough guys who wanted to prove themselves. Normally, he’d shrug it off. hated violence when he was sober. But tonight, he wasn’t sober. “You gonna move, big guy?” the man sneered, his smaller frame puffed up like a rooster in a barnyard. sighed, setting down his glass. “You don’t want this,” he said softly, his voice rumbling like distant thunder.
    This is a digital artwork in a highly detailed, hyper-realistic style. The image depicts a surreal, fantastical landscape through a large, arch-shaped stone structure that appears to be carved from rugged, weathered rock. The arch frames a serene, reflective body of water, resembling a lake, which is surrounded by arid, desert-like terrain. The sky above is a vibrant blue with scattered, fluffy white clouds, suggesting a clear day. The landscape beyond the arch features jagged, towering rock formations in shades of blue, purple, and gray, resembling an alien or futuristic terrain. These formations are interspersed with smaller, more rounded boulders and scattered vegetation. The water in the lake is a deep blue, mirroring the sky and enhancing the sense of depth and serenity. Floating above the lake are several spherical objects, possibly planets or spaceships, adding to the otherworldly ambiance. The foreground is rocky and sparse, with small patches of green vegetation. The overall color palette is dominated by earthy tones, blues, and purples, creating a harmonious yet striking contrast. The image is rich in detail, from the textures of the rocks to the subtle reflections in the water, making it a captivating and imaginative piece of digital art.

      DreamShaper XL

    • v2.1 Turbo DPM++ SDE - dreamshaperXL_v21TurboDPMSDE.safetensors
    • Lightning DPM++ SDE - dreamshaperXL_lightningDPMSDE.safetensors
    • SFW v2 Turbo DPM++ SDE - dreamshaperXL_sfwV2TurboDPMSDE.safetensors
    • SFW Lightning DPM++ SDE - dreamshaperXL_sfwLightningDPMSDE.safetensors
    • v2 Turbo DPM++ SDE - dreamshaperXL_v2TurboDPMSDE.safetensors
    • Turbo DPM++ SDE - dreamshaperXL_turboDPMSDE.safetensors
    • SFW Turbo DPM++ SDE - dreamshaperXL_sfwTurboDPMSDE.safetensors
    • alpha2 (xl1.0) - dreamshaperXL_alpha2Xl10.safetensors
    • alpha1 (xl0.9) - dreamshaperXL_alpha1Xl09.safetensors

      DreamShaper

    • 8 - dreamshaper_8.safetensors
    • 8 LCM - dreamshaper_8LCM.safetensors
    • 8-inpainting - dreamshaper_8Inpainting.safetensors
    • 8-diffusers - dreamshaper_8Diffusers.zip
    • 7 - dreamshaper_7.safetensors
    • 7-inpainting - dreamshaper_7-inpainting.safetensors
    • 7-diffusers - dreamshaper_7Diffusers_trainingData.zip
    • 6.31 baked vae - dreamshaper_631BakedVae.safetensors
    • 6.31-inpainting - dreamshaper_631Inpainting.safetensors
    • 6.31 diffusers - dreamshaper_631Diffusers_trainingData.zip
    • 6 baked vae - dreamshaper_6BakedVae.safetensors
    • 6.2 baked vae - dreamshaper_62BakedVae.safetensors
    • 6-inpainting - dreamshaper_6Inpainting.safetensors
    • 6 no vae - dreamshaper_6NoVae.safetensors
    • 6 diffusers - dreamshaper_6Diffusers_trainingData.zip
    • 5 baked vae - dreamshaper_5BakedVae.ckpt
    • 5 pruned (no vae) - train - dreamshaper_5PrunedNoVaeTrain.ckpt
    • 5-inpainting - dreamshaper_5-inpainting.safetensors
    • 5 baked vae diffusers - dreamshaper_5BakedVaeDiffusers_trainingData.zip
    • 4 baked vae - dreamshaper_4BakedVae.safetensors
    • 4-inpainting - dreamshaper_4-inpainting.safetensors
    • 4 baked vae fp16 - dreamshaper_4BakedVaeFp16.safetensors
    • 4 no vae - dreamshaper_4NoVae.safetensors
    • 4 no vae fp16 - dreamshaper_4NoVaeFp16.ckpt
    • 3.32 baked vae (clip fix) - dreamshaper_332BakedVaeClipFix.ckpt
    • 3.31 baked vae - dreamshaper_331BakedVae.ckpt
    • 3.31-inpainting - dreamshaper_331-inpainting.safetensors
    • 3.3 - dreamshaper_33.ckpt
    • 2.52 (safetensors fixed) - dreamshaper_252SafetensorsFixed.ckpt
    • 2.52 (pruned) - dreamshaper_252Pruned.ckpt
    • 2.52 (initial release) - dreamshaper_252InitialRelease.ckpt